In Celebration (1879-81) - Nikolai Kuznetsov

In Celebration (1879-81) - Nikolai Kuznetsov


Our English Coasts ‘Strayed Sheep’ (1852) - William Holman Hunt

Our English Coasts ‘Strayed Sheep’ (1852) - William Holman Hunt


Florence from Bellosguardo (1863) - John Brett

Florence from Bellosguardo (1863) - John Brett


The British Channel Seen from the Dorsetshire Cliffs (1871) - John Brett

The British Channel Seen from the Dorsetshire Cliffs (1871) - John Brett

Vladimirka Road (1892) - Isaak Levitan

Vladimirka Road (1892) - Isaak Levitan

Today I made a few studies of two young Ash trees, the youngest of the two in particular was absolutely stunning, the symmetry it exhibited was extremely striking, its small black buds were fresh and bold, the bark was a beautiful light colour (see above for colour diagram) and it was growing without any visible defects. Let’s hope that the spring does not bring any misfortune in terms of dieback spores.
I also taught my sister how to identify the Ash tree and explained how the trees are threatened by a dangerous airborne disease Chalara Fraxinea, she thought it was a terrible shame, we both agreed that trees are much more beautiful to look at than airborne asexual fungal organisms but then discussed the potential positive and negative effects it could have on the rest of the surrounding ecosystems.

Last week I accidentally changed from the old Tumblr theme it had taken ages for me to figure out and customise (html is not a language I am fluent in, similar to French in that I can only really order a coffee and other things I need to survive) to a horrible template, initially I was annoyed but then I ended up taking action and made it more like I had originally intended so it all worked out in the end, a blessing in disguise. Still maybe a few tweaks to make but I like it.


Salisbury Crags beyond Dumbiedykes, 2012

Salisbury Crags beyond Dumbiedykes, 2012


Salisbury Crags beyond Dumbiedykes, 2012

Salisbury Crags beyond Dumbiedykes, 2012


The Marne at Chennevières (1864) - Camille Pissarro
Strong blues, greens and whites dominate this wide riverscape with its expanse of sky and water interrupted by sloping banks. Pissarro rented a house in La Varenne-Saint-Hilaire, a village to the south-east of Paris, hinted at here on the left bank of the Marne. Chennevières’ church and houses are just visible at the top of the right bank. Paintings by Daubigny and Corot inspired Pissarro’s carefully structured composition and Courbet’s work influenced his extensive use of a palette knife. The small factory buildings and ferry boat add a contemporary note. The painting was exhibited at the Paris Salon in 1865. 

© National Galleries of Scotland, Edinburgh

The Marne at Chennevières (1864) - Camille Pissarro

Strong blues, greens and whites dominate this wide riverscape with its expanse of sky and water interrupted by sloping banks. Pissarro rented a house in La Varenne-Saint-Hilaire, a village to the south-east of Paris, hinted at here on the left bank of the Marne. Chennevières’ church and houses are just visible at the top of the right bank. Paintings by Daubigny and Corot inspired Pissarro’s carefully structured composition and Courbet’s work influenced his extensive use of a palette knife. The small factory buildings and ferry boat add a contemporary note. The painting was exhibited at the Paris Salon in 1865.

© National Galleries of Scotland, Edinburgh